Friday, March 30, 2012

Superman and the Mole-Men (1951)

Superman and the Mole-Men stars George Reeves, Phyllis Coates, Jeff Corey, and Walter Reed.   It was released by Lippert Pictures Inc., produced by Barney A. Sarecky, directed by Lee Sholem, and the screenplay was written by Robert Maxwell.  Superman "fights his never-ending fight against the forces of evil" as he masquerades as Clark Kent "a mild-mannered reporter for a great metropolitan newspaper".  And Reeves looks every bit the part of Superman, "the valiant defender of truth, justice, and the American way" as he strikes a  patriotic pose with cape and 48 star flag waving in the breeze behind him as the intro to the feature begins.


The story takes place in the small town of Silsby, population 1430, and "home of the world's deepest oil well".  As reporters Clark Kent (Reeves) and Lois Lane (Coates) arrive the oil workers are actually abandoning the rig after drilling down to a depth of 32,740 feet, about six miles down.  Right away the two reporters smell a story brewing and decide to stick around and see what happens.  Later on that evening two small creatures emerge from the drill shaft from deep in the bowels of the Earth and begin to explore the surrounding area and then make their way into town where they're not exactly welcomed with open arms.  Lois catches a glimpse of the creatures and cuts loose with a scream that would make Fay Wray jealous (well, maybe not jealous, but it was a pretty good scream).


Corrigan (Reed) the foreman of the drilling crew fills Kent in as to why he's discontinuing the operation.  He explains to Clark that soil samples were taken from various depths as the crew was drilling and he happened to notice that the samples emitted an eerie glow and was afraid that if the drilling continued it would put the men in danger.  He said "that at 32,600 feet the drill broke through and seemed to be hanging in mid-air as if they'd gone through the last solid layer of the Earth".  Some microscopic life forms were also found at that depth bringing Kent to the conclusion that "there may be other forms of life down there that are more highly developed".  As the two men leave for town they notice that everything the creatures touched had the same strange glow as the soil samples, making them think that the visitors might be radioactive.


The little creatures visit a young girl and then get scared off by the mother's screams (this was a  pretty good scream too).  This in turn gets the townsfolk stirred up because they think that the little invaders were trying to hurt the girl.  One of the residents Luke Benson (Jeff Corey), a local troublemaker,  takes charge and organizes an armed mob that begin searching the town looking for the intruders.  When one of the creatures is shot, the other escapes after a very long chase around the outskirts of town.  He returns to the drilling area and retreats down the shaft only to return with more of the creatures, who this time bring with them a deadly weapon and are ready to do battle with the lynch mob and the town.  It's up to Superman to take control of the situation, take on the mob, and send the monsters back where they belong.


Like many of the first season episodes this "feature" has a very dark and gritty overtone.  Almost to the point of being geared for a more adult audience than to the younger folks who would have listened to the Superman radio shows and who would have frequented the Superman serials starring Kirk Alyn that were shown in the theaters.  In this feature the Lois Lane character is more of a tough, hardcore news reporter than the dizzy, clumsy female found in the previous versions of Superman.  Here we see that Lane has no problem kicking or throwing a punch or two to try to get herself out of a jam.  Same thing goes for Clark Kent.  Reeves portrays Kent as more of a noirish type hard-as-nails newspaper man than the bumbling and borderline goofball roles of his predecessors.  The Superman character is a little more stern and no-nonsense.  Alyn was kind of tough as "the man of steel" in the 40's (check out my previous post here if you haven't already read it), but I think Reeves has him beat hands down, at least in the earlier episodes of the series.  I hadn't watched this in a while and as it started I was thinking to myself, how could they forget to list Jack Larson in the credits.  Larson of course starred as Jimmy Olsen in the rest of the series but he actually doesn't appear in this feature.


Except for one brief and partially animated flying scene Superman is pretty much grounded except for the quick takeoff and landing sequences.  We don't actually see Superman soaring through the air as we see in the later episodes.  And these takeoff and landing clips seem to utilize wires or a sort of harness to get Reeves into the air and back on the ground instead of the more familiar springboard that sent him flying out of a window or through a doorway.  The wire special effects are pretty good as they allow Superman to rise up into the air leaving a little swirling vortex of papers and dust in his wake.  There is one really well filmed scene (probably some sort of crane shot) from Superman's point of view looking down as he flies over and ahead of the armed mob.  I would have liked to have seen more views from that perspective.


The creature costumes are low budget all the way with the pretty obvious bald-cap headpieces and furry suits with a visible zipper up the back.  One chase scene where one of the creatures is being pursued across the countryside is a little dragged out, but other than that there's some pretty good action and drama.  With a running time of 58 minutes I guess it's kind of a stretch to call this a full length feature.  Later on it was made into a two-part episode titled The Unknown People.

In some of the DVD commentaries Superman: Serial to Cereal author Gary Grossman stated that "The Adventures of Superman television series began with Superman and the Mole-Men, which was originally made to promote the TV show".  DC Comics historian Allan Asherman says that "what writer Robert Maxwell wanted was an extension of the Superman radio show".  And Leonard Maltin mirrored my sentiments exactly.  When I hear the name Superman, the first person I think of is George Reeves.

A great feature that paved the way for a great television series that followed.  But, I'm pretty sure all you kids already knew that ...

6 comments:

  1. I used to watch the series' reruns when I was a child, but I'm not sure if I ever remember seeing the Mole Men. Yet, unlike you, I always think of Chris Reeves when I think of Superman--it must be generational.

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    1. Kim -
      It must be a generational thing ... I always think of George Reeves first, and then Kirk Alyn. But Chris Reeves did a really good job as "the man of steel" too ...
      Dave

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  2. That's how I like my superheroes, do-gooders for the sake of doing good - not lumbered with psychological issues.

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    1. CW -

      George Reeve's portrayal of "Superman" was pretty straight forward. At least in the early episodes anyway. The following seasons were good, but some of the episodes got a little corny ...

      Dave

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  3. I remember watching the two-part version when it was broadcast as part of the series (in syndicated reruns, of course...not quite that old). I always enjoyed the SUPERMAN TV series and preferred Phyllis as Lois. I still remember many of the episodes (e.g., the mad scientist who invents tasty postage stamps...that accidentally explode!).

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    1. Rick -

      Phyllis always did a really good job as Lois. She was a little tougher than the Noel Neill version of Lois. Yeah, there were a lot of great Superman TV episodes, I remember one that had a scientist (maybe it was the same mad scientist as the stamp episode) that invented a machine that turned everything upside down ...

      Dave

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